The Austrian artist Oskar Kokoschka (1886–1980) achieved global fame with his intense expressionistic portraits and landscapes. In this first English-language biography, Rüdiger Görner depicts the artist in all his fascinating and contradictory complexity. He traces Kokoschka’s path from bête noire of the bourgeoisie and “hunger artist” who had to flee the Nazis to a wealthy and cosmopolitan political and critical artist who played a significant role in shaping the European art scene of the twentieth century and whose relevance is undiminished to this day. 

In Kokoschka: A Life in Art, Görner emphasizes the artist’s versatility. Kokoschka, although best known for his expressionistic portraits and landscapes, was more than a mere visual artist: his achievements as a playwright, essayist, and poet bear witness to a remarkable literary talent. Music, too, played a central role in his work, and a passion for teaching led him to establish in 1953 the School of Seeing, an unconventional art school intended to revive humanist ideals in the horrific aftermath of war.  This biography shows brilliantly how all the pieces of Kokoschka’s disparate interests and achievements cohered in the richly creative life of a singular artist.

Erwin Rommel is the best-known German field commander of World War II. Repeatedly decorated for valor during the First World War, he would go on to lead the German Panzer divisions in France and North Africa. Even his British opponents admitted to admiring his apparent courage, chivalry and leadership, and he became known by the nickname “Desert Fox.” His death, in October 1944, would give rise to speculation for generations to come on how history should judge him. To many he remains the ideal soldier, but, as Reuth shows, Rommel remained loyal to his Führer until forced to commit suicide, and his fame was largely a creation of the master propagandist Joseph Goebbels. Stripping away the many layers of Nazi and Allied propaganda, Reuth argues that Rommel’s life symbolizes the complexity and conflict of the German tragedy: to have followed Hitler into the abyss, and to have considered that to be his duty.